Thursday, March 27, 2014

Contributing to Riches Mosaic Interface

     Riches M.I. is a creation of UCF, and most of the material on there covers the Central Florida region, though some may be associated with places outside of the region. I have already introduced you to Riches in a previous blog, and showed you how to find material on the site. Now, I will explain how to add your own material to Riches.
     First, visit the Riches M.I. site at https://richesmi.cah.ucf.edu/map/. Then find "Add Your Story" at the top of the screen and click on it. This will take you to the contribute page. You will have to log in or create an account to submit materials to Riches, since it is an academic site. Once you are logged in, you will see the form used to contribute materials. First, you must decide what kind of item you are submitting. Choose from the following choices: a document, image, oral history, video, or website. For my example, I will be submitting an image of the Sanford High School Class of 1925. Riches M.I. asks many questions for submitting an image, and it is important to be as detailed and thorough as possible. The following are the questions asked by Riches when submitting an image:


  • Title: In this example, the title is "Class of 1925."
  • Historical Background Information: Here I give the following background of Sanford High School... "Sanford High School (located at 301 W. 7th St., Sanford, FL, 32771) was built in 1902.Though it was named Sanford High School, the school included grades one through twelve. An increasing student population caused the need for a new school to be built. In 1911, the name was changed to Sanford Grammar School, when the new Sanford High School was opened. The new school (located at 9th St. and Palmetto, Sanford, FL, 32771) ran until 1926, when the third high school was built and renamed Seminole High School. The class of 1925 graduated from the second Sanford High School, and this photo was taken on the front steps of the school."
  • When was the item created?: In this example, the answer is "1925."
  • What location does the item describe?: "Sanford High School #2," since it was at the second high school location.
  • Please enter the address of the item: This is so submitted material can be pinned on the page with the map on it. The address for this photo is "9th St. & Palmetto Ave., Sanford, Florida, 32771."
  • Who created the original item?: This is a difficult question for a lot of the images that I'm submitting, since I don't know who the photographer was. The answer here is "Unknown."
  • What is the original format of the item?: They are looking for answers like photographic print, film negative, etc. with this question. The answer here is "Photographic Print."
  • What are the dimensions of the item?: This is normally given in inches, and this photo is "7.5' x 10' Inches."
  • Where is the original item located?: Here they are looking for the box number, folder number, image number, collection name, etc. This image is in "Archival Box #3A, Students Folder, SM-073-071, Sanford High School Collection." (Note- the SM # is the image number).
  • Where is the original item housed?: This answer requires the institution housing the item, such as a repository, museum, etc. This image is housed at the "Public History Center, Archives."
  • Who owns the copyright to the original item?: The answer is the "Public History Center." (The PHC especially owns the scans of all the items housed there, which was a term in UCF's contract when they leased the student museum).
  • Transcript of text written on photo, or on mount: This is if anything was written on the image. Written on this particular image is "Sanford High School Class of 1925, Sanford, Fla. (SM-073-071)."
  • List any books, articles, websites, etc. that you used as a source for your "Historical Background Information.": It's important to list your sources, not only for plagiarism reasons, but also so the researcher can utilize the sources that you used to further their research, if need be. The following source was used for this image...
         "'Sanford Grammar School 1902-1977,' pamphlet prepared by the Seminole County School Board in 1977."

     Lastly, you upload the image if you have it scanned onto your computer. Then agree to the Riches M.I. terms and conditions, and click contribute. You will have successfully submitted an item to Riches Mosaic Interface!
     Contributing to Riches is pretty simple, though I have run into a few problems while submitting materials. Some of the ladies in the collections room and I couldn't find the address to the second Sanford High School, but eventually we got it. Also, Professor Sample received an email from Riches M.I. saying that when I submitted two of the images to Riches, I mixed up the two photos and put them with the wrong metadata (information). Oops! I just gave her the correct pictures, and she sent them to Riches to correct it. Problem solved! Other than that I've had no issues. All in all, Riches M.I. is a wonderful resource for the Central Florida region, and I'm happy that I have contributed to the historical collections that it holds. Until next time,  Samantha

What Will Happen To The PHC?

    
     The Student Museum became the Public History Center in 2012, when UCF leased it for two years. So technically, all of those employed at the PHC are UCF employees. Some are even professors at the university in addition to working at the PHC, such as Dr. Beiler and Professor Sample. However, UCF's lease will be ending in May 2014, and the fate of the PHC is unclear right now. The Seminole County Public School Board does not want to keep it open, for money reasons. Even though UCF pays the employees of the PHC, the SCPS board furnishes the funds for grounds-keeping and general upkeep of the museum. They are looking to sell it. Fortunately, they cannot demolish it, since it is on the list for the National Registry of Historic Places, though I don't think they would.
     The public should get together to ensure that the PHC stays open! This should include not just the Sanford community, but the UCF community as well. There are so many benefits to having the PHC stay open. Just as I type this, there are children doing a scavenger hunt around the building looking for historical things. Throughout my semester interning here, I have seen the PHC be utilized in many different ways. Every week, students on field trips visit the PHC to see the different rooms and learn about history. One girl loved it so much, that she had her mother take her back, and she walked around the museum saying to her mother, "I went in this room when I was here, and this room, and this room..." She was so excited about what she learned in her visits, and that is priceless. I've also seen many people come to the collections room to look at yearbooks or do research. One lady came in with some friends/family, to look at her high school yearbook. She was so excited and emotional from reminiscing about her high school friends and good times. A man visited the collections room to do research about girls’ soccer for a project that he's working on. He said that our yearbook collection is great for his research and much better than other archives he has visited.  Recently, a representative from the weather channel came in to get some pictures from Lake Monroe for a documentary. And these are just a small portion of who utilizes the PHC, since I'm only here around 10 hours a week, I don't get to see it all.
      What the Public History Center does and what it holds is invaluable to the community and beyond. It has to stay open to keep its valuable archival resources safe from decay and open to public use. Students would no longer go on fieldtrips here to learn about history and their town. Citizens would not be able to come here to look at their grandparents’ yearbook or old photos of their neighborhood. Without temperature regulation, the archival materials will decay, and we would lose the irreplaceable information that they hold. I hope things turn out well come May, and I hope it stays a much-used part of the community. If you want to know more about the Public History Center, here is a link http://www.publichistorycenter.cah.ucf.edu/. Until next time,     Samantha







Comparing Descriptions of Collections from Major Archives

     A Register for a collection is basically a very detailed description about all aspects of the collection. It is also interchangeably called an Inventory.  It took me forever to figure out what a Register/Inventory was. I was unfamiliar with the terminology, and I'm the type of learner who needs to see an example of something to understand it. After looking at the different styles of collection descriptions from major archives, I understand a lot better what I need to do when creating my own Register for the Sanford High School Collection. I looked at descriptions from The UCF Special Collections, The Smithsonian, The National Archives, The Florida Historical Society, and The Florida Archives.
      In my opinion, the UCF Special Collections has easy to understand collection descriptions. The organization is also visually pleasing. I read each section of the Register, and compared what I saw with the definitions I had for each section. The example I used was the Carey Hand Funeral Home Records, 1891-1955, and you can view them too here http://library.ucf.edu/SpecialCollections/FindingAids/CareyHand.xml#IDAJRELB. It includes important summary information, such as the creator, title of the collection, dates, extent (size of the collection in linear feet), abstract (a brief summary of what is included in the collection), language, accession number, and the repository that it is located in. The next section is the historical note, which gives background information about the collection and/or creating institution. In this case, the background information is about Carey Hand and his funeral home. The scope and content section start with a brief description of what is in the collection and what it is useful for, such as genealogy. It then goes into detail at the series level. For my collection, a series would probably be each folder. Each series is described with what is in it, how many, the time period, arrangement, strengths and weaknesses, and what kind of information can be obtained from the series. Next, the restrictions section has a copyright statement stating who owns the copyrights of the collection. The selected subjects and access points section lists subjects and key words that pertain to the collection. Administrative information has the preferred citation (for the use of researchers), how the archive acquired the collection, and how accessible the collection is. Lastly, the description has a contents list. This lists each series and every item within the series. Each item is named (many times with the dates) and the location (volume/box number) is listed. UCF Special Collections is a prime example of what a collection description should look like, and it will help me in creating my Register.
      The Smithsonian was the next archive that I searched. I found the website to be confusing to navigate, but once I found a collection to use as an example, I was happy. I like the way that the Smithsonian organizes their collection descriptions. In my opinion, it is superior to UCF Special Collections, though UCF comes in a close second. The collection example that I used is The Singer Industrial Design Collection, which I think is rather interesting since I own a sewing machine. You can check out this collection description here http://amhistory.si.edu/archives/AC0169.html#ref9. It has a lot of the same administrative and summary information that UCF includes. The Biographical/Historical note gives background information about the Singer Company. The scope and content note is detailed. It illustrates what the bulk of the collection is made up of. It then lists each series and describes what is in them and how it is arranged (usually alphabetically). This particular collection has a lot of subseries. After the scope and content note is an arrangement note, which just lists the order of each series and subseries with their name and dates, like a scope and content note but without any detail. It has a related materials section, so researchers can find other collections that may pertain to their research. Controlled access headings is similar to a keyword section, and it includes corporate names, genres, personal names, and subjects. A bibliography section is included, which is not included in the UCF Special Collections. This lists the way the archivist obtained their information for sections such as Biographical/Historical note, and scope and content note. Lastly, the collection inventory is like UCF's contents list, but better. Even though it takes up a lot of room, it is very clear and easy to read. It lists each series and subseries, and each item is listed with the date, medium (photos/mixed materials), and box/folder number. Overall, the Smithsonian had the best collection description style, and I will definitely be using it as an example for my collection Register.
     The rest of the archives that I looked at were not nearly as impressive as UCF Special Collections and The Smithsonian. The collection descriptions of The National Archive are very brief. Here you can find the example that I used, http://aad.archives.gov/aad/series-description.jsp?s=4432&cat=all&bc=sl, which is about Germans to American Passenger Data Files. It includes the title, the creator, type of archival material (such as data files, textual records), level of description (in this case it's at the series level, from a larger collection), other titles, and the location. Next it lists inclusive dates and coverage dates, with a date note about coverage dates being the dates of passenger arrivals, and what collection this series is part of. Next, function and use describes briefly why the series was created and for what, as well as where the information was extracted from. Scope and content note has detail about what is included in the series, what countries these passengers came from, what the bulk of the records are about, and what information may be included about each passenger. The access restrictions tells us if the collection is totally, partially, or not accessible. Finding aid type brings you to another window entirely, giving different information to help researchers when using this collection, such as country code numbers. The finding aid source lists where the information from the finding aid type came from. Extent lists the size of the collection, in both number of files and linear inches. Lastly, index terms lists subjects that are common throughout the collection. Over all, this description lacks the detail that the first two had, and I would not use it in creating my register. However, I can cut it some slack, since it only describes a series, and not an entire collection.
     The Florida Historical Society has the bare minimum amount of information in their descriptions, which is disappointing. The example I used is an album of photographs from Florida, Michigan, and Tennessee, and you can find it here http://myfloridahistory.pastperfect-online.com/37030cgi/mweb.exe?request=record;id=42091630-8A02-4E63-AB0B-054918208410;type=301. Collection lists the name of the collection. It includes the catalog number, object name (print, photographic), physical characteristics (how many pages), and who it's cataloged by. Scope and content lists what is included in the collection and dates, from where, and features on the collection (such as handwritten notes). And that's it. I would not use this archive to assist me in creating my register.
     The Florida Archives has a better Collection description, but it still lacks compared to UCF and The Smithsonian. My chief complaint is the format. It can be confusing to read, because of the categories and sentences run together. I chose to use the Governor's Commission on the Status of Women for my example, which is located here http://dlis.dos.state.fl.us/barm/rediscovery/default.asp?IDCFile=/fsa/detailss.idc,SPECIFIC=4,DATABASE=SERIES. The description lists the record group number and the series/collection number. The creator, title, and date all run together in the same sentence. It also includes the amount (in cubic feet), the medium included, the organization/arrangement, the restriction and terms governing use (though these are left blank for this particular description). Biographical/historical gives a history on the Commission on the Status of Women, starting with the first by J.F.K., and ending with Florida's own CSW. Summary lists what kinds of items are included in the collection, and the topics covered. Finding aids points out where file folder and box listing can be found for the collection. Some categories are there but left blank, such as additional physical form, reproduction note, location of originals/duplicates, language notes, ownership/custodial history, publication note, general note, and electronic records access. Associated materials names collections similar to the collection you are looking at. Lastly, subject field entry lists subjects related to the collection. I would use this archive for help with my own register, but it would not be my primary model.
     Now, I can prepare my register/inventory with these five examples in mind. Until next time,
                                                                                                                                                   Samantha



Friday, March 7, 2014

Using Riches M.I.

      Riches Mosaic Interface is a wonderful tool. It can be used to find out what sort of archival collections and items exist in the area that you search.
      The first page you see has a map on it. It is there for people to search for items associated with an exact location. For example, I typed “Sanford” in the search text bar, and the result was a big red circle on the map over central Florida. The circle had the number “120” in it, meaning that my search resulted in 120 hits. As I zoomed in, the dots became more dispersed, and I was able to click on them. In addition to Riches showing the hits on the map, there is a side bar on the right side giving me the results from my search. You can also refine your search by limiting the years in which Riches will include. You can do this by adjusting the bar in the upper left that ranges from 1720-2013.
     If you have any questions or issues with using Riches, there is a FAQ/Tutorial link at the top of the screen. Next to this link is the link to Add Your Story, if you would like to submit archival documents or photos to Riches M.I. I will elaborate on the submission process more in a future blog.
     Listed next is The Archive. This will open a new page, where you can search some more for the subjects that you are looking for, or to browse the featured and other items in Riches.  To browse, you can do so by items or by exhibits. You can also select Collection Tree, to search for collections by category. For example, you can click on “Student Museum and UCF Public History Center Collection,” and browse the collections that we hold here at the PHC.
     Once you find the item or collection that you are looking for, or if you’re just interested in a certain item, select it. Each item will be accompanied by background information, size, creator, copyright holder, location, date, subjects, and so on. This information should give you an idea of whether or not it will help in your research, and if it does, you can see the item in person at the listed location. If your item is located at the PHC, you can come visit us!
     To experience Riches M.I. for yourself, go to https://richesmi.cah.ucf.edu/map/. Until next time, Samantha